The traditional academic research paper isn't always the best form in which to judge student writing. When students are given a choice in form and genre, their true talents and creativity can be unleashed. Miller offers up classroom examples and ideas on how to let students express their creativity in writing literary papers, research papers, and…

Eight students who excelled in a statewide, middle school creative writing tournament discussed their relationships with writing. Students' interview transcripts were analyzed for references to positive and negative teacher influences. Students needed teachers who provided structured writing time and clear deadlines, valued the message of the work…

Donald Graves's early professional books inspired Koshewa to look more deeply into student writing during the 1980s, and to value all phases of the writing process. Graves's perspective on uncovering and celebrating voice elevated Koshewa's writing instruction to a new plane. In this article, he writes about the impact that Donald Graves's work…

In teaching a research-writing unit, the author has asked her students to research and write a persuasive speech, a multigenre paper, an I-Search, a historical and comparative connection to literature, a country brochure, and a social criticism essay. While she found benefits and disadvantages in all of these assignments, the author was…

Describes an activity in which students in a creative writing class write and revise poems, and then bake pastries, offering both to an audience of around 50 which assembles to enjoy the event. (SR)

Describes using self-reflective synesthetic writing exercises (which prompt students to think metaphorically about crossed senses--taste of clouds, smell of anger, etc.) in creative writing with high school students. Notes how such writing allows a reader/teacher insights into students' lives and personalities. Includes student sample poems. (SR)

Describes how the author, when teaching dream poems and poem writing to older kids, uses Margaret Atwood's "Dreams of the Animals" to extend the discussion about dreaming and have the children think about dreams that have little to do with their own. Includes examples of students' poems about animal dreams. (SR)

Describes the author's experience teaching poetry to a fourth-grade class, and how an inspired moment from one student (improvising a poem about an imagined hairstyle of poet Federico Garcia Lorca) led the entire class on a journey of inspiration. Looks at the route to that place of "inspired rightness." (SR)

Describes how a teacher and her grades one through three children made poetry come alive and serve as an authentic part of their lives. Describes the factors underlying authentic classroom instruction, and notes how poetry moved out from lessons and even school time to become something that will continue to be with many of these children…

Argues that the differences between the worlds kids live in and the worlds they are taught to desire (through television, movies, music, and magazines) can cause a desperate confusion that children long to have resolved. Describes how the author, a teacher of writing, has students think and write about reality. (SR)

Considers different fifth-grade students' transformations through expressing themselves with poetry. Claims the content of children's writing suggests a complete revision of standard educational ideas about who the children are, what they know, how they think, and how much they can learn if teachers only know how to tap into their brilliance. (SC)

Argues that silence has a remarkable presence, and that hearing silence is about stopping and not doing, letting the sounds of the world come to you. Describes ways the author has worked with elementary school students, asking them to think about and write about silence. Includes poems about silence. (SR)

Relates how the author teaches elementary and secondary school students to write nexus poems--poems that use a nexus, or bridge, to persuade the reader, or to show the reader the link between where something originates and where people use it. (SR)

A project was designed to teach writing skills to adult basic education students in prison through the publication of a bimonthly newspaper. The target audience was any inmate in the Franklin County and Adams County Prisons in Pennsylvania; there were no restrictions on admittance to the program or to class size. Participation was voluntary and…

Describes the Abbott Union School and its program for traumatized and neglected adolescents. Reproduces a short novel written by one of the students. (CRH)