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Alvin F. Simpson III – Update: Applications of Research in Music Education, 2024
It can be difficult to navigate the tasks of repertoire selection and part assignments in a way that produces a successful performance product while also being educationally beneficial to all students. However, researchers have explored methods of ensuring these goals through repertoire selection. In this article, I present ideas for how educators…
Descriptors: Educational Psychology, Music Education, Aptitude, Music
Hatch, Emily – General Music Today, 2020
National Core Arts Standards require students to use feedback from peers to refine both their performances and their compositions in the artistic processes of Create and Perform. When asked to give feedback to a peer, many students stop at comments like "It sounds good," and do not naturally give specific, meaningful feedback. Therefore,…
Descriptors: Teaching Methods, Peer Evaluation, Feedback (Response), Student Attitudes
Halick, Mary E. – General Music Today, 2016
Music teachers, who are working to develop students' musicianship skills, often focus on exposing students to new styles and genres of music. These initiatives encourage students to analyze, develop opinions, create, and perform music they may not normally hear. The purpose of this article is to introduce music educators to Electronic Dance Music…
Descriptors: Teaching Guides, Dance, Electronic Equipment, Music Techniques
Freund, Don – Philosophy of Music Education Review, 2011
Composition is learned by discovering that musical ideas can be experienced in a variety of ways, and that new musical ideas can be created by reconfiguring learned materials in new contexts. The act of imagining, defining, and communicating unique musical ideas awakens in young people a dormant part of their brains, unlocking an awareness of the…
Descriptors: Music Teachers, Musical Composition, Music Education, Brain
Beheshti, Setareh – International Journal of Music Education, 2010
Finding new repertoire poses endless obstacles for musicians. Often the search for an unknown piece or composer presents such an unforeseen challenge that the actual aesthetic and technical success of the work becomes secondary. A major contributing factor is the lack of an accessible and centralized database. Many notable bibliographic reference…
Descriptors: Musical Composition, Check Lists, Performance, Databases
Peer reviewedBrunner, David L. – Music Educators Journal, 1992
Provides tips for choral directors to use in selecting repertoire for school ensembles. Explains that the first step in choosing repertoire must be a systematic assessment of the singers, the director, and the program's objectives. Suggests that each composition must be appraised for musical content, teaching value, and aesthetic appeal. (DK)
Descriptors: Check Lists, Choral Music, Evaluation Criteria, Music Education

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