As writing instructors, the authors spend hours "talking back" to their students through written comments on their drafts. But how do student writers receive their comments, and what do they "do" with this feedback? Teachers invest so much time and energy in their responses to papers. How do they know what gets through, what makes sense to their…

As students increasingly rely on digital media to locate information, composition instructors must incorporate into writing instruction critical evaluation of and reflection on students' use of Web content. A growing problem in the composition class is underdeveloped critical digital literacy skills. To become fully literate, students need more…

Describes the use of anonymous daily journal entries (edited and graded at the end of the semester) in a literature survey course to nurture individual inquiry without sacrificing coverage. Maintains that anonymity encourages students to take risks, raise questions, and evaluate and shape the course. (SR)

Describes strategies (including the use of multicultural reading materials) for helping culturally diverse students make personal connections with poetry and the creative process. (SR)

Describes a semester-long project for a first-year writing class in which students work collaboratively to research an artist as a person, write an essay as a monologue, and present the monologue as a one-person play to the class. (SR)

Describes the design of a standard first-year composition class in which the author used online discussion forums. Discusses how these design choices helped create a dynamic community of readers, writers, and learners in a writing classroom. Discusses pedagogical goals, and course design. Discusses several reasons why this approach works so well,…

Describes a journal writing activity designed to engage students in the exchange between text and reader. Argues that informal writing in a journal is a means of letting students find out that, if they engage themselves with a text, they will find it interesting. (RS)

Describes a student's journal entry which discusses her response to a work of digital fiction. Reads the journal entry as a resistance narrative, an assemblage, a remediation, and an emergence. Reflects upon the changes in instruction and identity that occur in computer classrooms, online course supplements, and Internet classes. (PM)

Describes a first-year college composition course and the daily preparatory writing assignments, "inquiry response papers," that form its core. Describes how these assignments, in which students respond to their homework reading, have led to a collaborative, dialogic classroom where students realize and express their own voices, and have fostered…

Describes a short course designed to help employees overcome common writing problems. Suggests that many writing problems result from deficiencies in freshman composition courses, and recommends five changes. (ARH)

Describes an AIDS-centered curriculum for a composition class in a New York City community college. Describes selecting a text, assignments, attending a conference, guest speakers, and the research paper. Notes that the subject of AIDS not only provokes reflective writing and much class discussion but also compels writers to express and sometimes…