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Jenkins, Louise – Australian Journal of Music Education, 2014
Australia is currently responding to an international trend that encourages social inclusion and the provision of equal opportunity for all. In a climate that is encouraging and supporting social inclusion, it can be enriching to look back at Australia's history and consider the benefits that have been gained in a previous era when people were…
Descriptors: Foreign Countries, Females, Opera, Musical Composition
Nyland, Berenice; Acker, Aleksandra; Ferris, Jill; Deans, Jan – International Journal of Early Years Education, 2011
This article describes a music programme in an Australian early learning centre. Through a repertoire of songs, games and instruments, the children were introduced to music forms, including opera. Mozart's Magic Flute was presented to these children by watching the Metropolitan Opera's latest film performance. Because this opera seized the…
Descriptors: Foreign Countries, Preschool Children, Learner Engagement, Opera
Howard, V. A. – Journal of Aesthetic Education, 2001
The world of classical music, says the writer, has always been international, and has now become truly global. Opera is perhaps traditionally, and most conspicuously, global. At any performance of the Metropolitan Opera of New York, for example, one encounters several different nationalities on stage, back stage, and in the orchestra pit. But the…
Descriptors: Opera, Classical Music, Musicians, Citizenship
White, Julie – Cambridge Journal of Education, 2006
This article reports on a five-year Australian study where pre-service primary and secondary teachers were encouraged to enhance their creativity through the development of ethnographic operatic performances. The creativity focus of this project was the important aspect of risk-taking and daring. The methodological basis for the study is…
Descriptors: Creativity, Research Methodology, Foreign Countries, Preservice Teachers

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