Suggests that the socialization of children works against their creativity. Argues that increasing children's exploratory opportunities results in raising the likelihood of new discoveries. Concludes that the establishment of a structure for fostering creativity is a key factor in promoting child development. (SG)

Eliciting creativity in every student in the classroom can be a realistic goal for classroom teachers. The teaching of creativity embraces form and structure as well as freedom of thought and expression. It is very appropriate to provide the student with an imaginative and creative impetus with which he/she cannot only create or establish the…

This paper discusses links among the process of creativity, symbolization, and learning. The importance of symbolization in thinking, in school learning, in child development, and in the behavior of creative learners is stressed. (DB)

This discussion of creativity in its educational context first considers the role of the creative product, process, personality, and environment. A proposal for teaching student teachers to teach more creatively is offered. The approach stresses development of originality, fluency, abstraction, elaboration, and openness. (DB)

This critique of J. Renzulli's models of gifted education suggests a weakness is the lack of school-based assessment procedures to guide decisions about a broader range of acceleration, enrichment, and other types of program options. Major ideas underlying Renzulli's theory are examined including broadening the talent pool, emphasis on products,…

Questions why imagination is not brought into mainstream education as a cornerstone of learning and why education frequently makes students incapable of relating to what is alive and meaningful within themselves. Without imagination, it is impossible to experience the infinite qualities of our senses, nor to shape our thoughts and images of these…

Presents an interview with Allen Schoer, CEO of TAI Resources, regarding his definition of creativity, what stimulates individual creativity, what makes it grow, and how his experiences and ideas can be applied in any classroom for an effective learning experience. (VWC)

Expressing the imagination dramatically is a step toward refining and shaping thought and behavior. Imagination is a part of the complex interaction of thought and action and has a place in the knowledge base. Drama is a direct expression of the imagination in action. In drama, the thought--the imaginings--are expressed in action and that action…

Considers the way people create knowledge, the way personal knowledge grows, and the types of educative environments that are supportive to students' efforts to improve their knowledge. (GT)

This article presents a general theory for developing creative productivity in young learners by examining interactions among: the learner (abilities, interests, learning styles); the curriculum (content and methodology of a discipline, structure of a discipline, appeal to the imagination); and the teacher (knowledge of the discipline,…

Friedrich Froebel, an early advocate of the use of play in kindergarten teaching, argued that the ultimate goal of education was developing the creative person. According to Froebel, teachers could promote creativity through play by using gifts, occupations, and mother play songs. By contrast, Johann Herbart called for a subject centered…

The nurturance and development of intellectual and creative talent in young people are examined, using the goals and curriculum of the Illinois Mathematics and Science Academy (a public residential high school for highly talented students) as an example. Emphasis is on presenting learning as active, dynamic, and integrated. (DB)

Describes The Lab School's (in Washington D.C.) use of the arts to provide nontraditional learners with new routes to learning. States that the arts give these special children a chance to express their creativity, feel good about themselves, and learn skills they cannot learn traditionally. Looks at art as salvation, diagnostic tool, and teacher.…

In so far as education has acknowledged creativity at all, it has commonly focused on "allowing" rather than "developing" creativity, on arts-based "expression" rather than broader or deeper kinds of creativity; and on the role of techniques rather than dispositions. This paper seeks to redress the balance by arguing…

Discusses the benefits of students participating in art classes, focusing on the development of students. Explains that art education: (1) fosters a joy of learning; (2) supports intellectual, emotional, and social growth; (3) prepares leaders of the future; and (4) inspires students. (SM)