The evolution of the drum is presented in both pictures and prose, from its beginning in Africa and the Far Eastern world to its introduction to the Western world where it is now fully accepted as a serious instrument. (KC)

Orff mallet instruments should be used in beginning band classes. Adding mallet instruments would expand a beginner's concept of percussion instruments. Just as important, the percussion section would provide a solid melodic and harmonic foundation to assist beginning wind instrumentalists with their insecurities about pitch. (RM)

Percussion programming can be integrated into a camping experience that actively involves campers in clapping, singing, and dancing. Provides suggestions for making percussion instruments out of natural materials, and offers ideas for using percussion in storytelling, listening activities, and camper wake-up calls. (LP)

Discusses how choral directors and choirs can collaborate with a percussionist when a drum or other instrument is needed for a performance. Explores details, such as instrument availability and storage as well as working with a percussionist. Focuses on specific types of music. (CMK)

Focuses on the research done on children learning the tabla, a northern India drum, and the role of the bols system, or mnemonics, that provides a means for memorizing musical material, generating improvisation, and developing rhythmic skills. Discusses the structure of the tabla lessons and the type of materials taught. (CMK)

Encourages the use of percussion ensembles in upper elementary and secondary general music classes because of their high motivational value, the ease of achieving performance, and the minimal need for music reading skills. Offers guidelines for introducing percussion ensemble music, including an annotated discography listing selections to…

Provides guidelines to assist band directors in teaching beginning drummers. Includes auditioning prospective drummers and using an instructional method that has mallet and snare drum techniques taught concurrently in one book. Observes that by devoting time and effort to percussionist players, directors can eliminate "drummer syndrome"…

Describes activities in a secondary music class in which students communicate with talking drums. Maintains that the class project was developed during a teaching unit on the musical practices of the Ashanti ethnic group in Ghana. Includes instructions for making talking drums and four examples of orchestrating name rhythms for drums. (CFR)

Describes studying the steel drum, an import from Trinidad, as an instrument of intellectual growth. Describes how developing a steel drum band provided Montessori middle school students the opportunity to experience some important feelings necessary to emotional growth during this difficult age: competence, usefulness, independence, and…