Argues against the view that creativity must sometimes be realized at the expense of the quality of the work produced, perceiving this dichotomy between creativity and quality as a false one based upon an erroneous theory of creative process. Sees creativity and quality as intimately connected. (DMM)

The article describes the Creativity Mobilization Technique, a nonverbal process-oriented method involving work with brush, paint, and paper that attempts to activate functions essential for various types of creative activities. (Author/SBH)

Multisensory techniques can be used to provide opportunities for creative expression for children with specific language disabilities. Dramatics, art, movement activities, music, poetry, and dancing can help meet the children's emotional needs while also enhancing their self-concepts. (CL)

The author quotes passages from the first two chapters of "Genesis" to support four hypotheses such as that the stages of creative process do not occur systematically but are reported in orderly sequence. (MC)

Described is the Pillsbury Foundation School, designed to discover how creative music activity was provoked and generated in children, ages three to six, and how natural musicality could be developed in these young children. The author warns against repressing the deeply rooted natural musicality that young children inherit. (KC)

This study of 60 Swedish university students examined whether or not acute alcohol intoxication inhibits or facilitates the incubation phase of the creative process. Results found that the participants in the alcohol group produced significantly more incubations in their diaries and significantly higher levels of originality. (Author/CR)

Describes Image-Making, a workshop in creative bookmaking based on a series of simple, carefully structured, parallel verbal and visual activities. Explains how each teacher and student designed and created an individual book (of his or her own poems and visual images) and a large communal book. (MG)

This paper discusses, from a personal point of view, the process of writing a poem, from inception through revision to the final product. The intention is instructional for any person who wishes to explore the nature of creative, directed expression in language. Because it is a personal account, however, it is idiosyncratic in nature and possibly…

Examines a variety of personal qualities usually found in creative people. Discusses many theories of creativity representing a variety of intellectual traditions, most of which predict aging decrements of some sort. Suggests that the creativity decline may vary, or that creativity may change rather than decline with age, with differing stylistic…

Organizational barriers to creativity are examined. It is noted that resistance to change is a major impediment to creative problem solving in most organizations. Understanding the barriers to change that exist is viewed to help people exercise and develop their creativity more fully and effectively. (MP)

Describes the rise of musical notation in the West, showing the relationship between that development and the origin of music literacy in China. Suggests that the balance of oral and literate means of music learning may foster creative expression in performance. Encourages the study and practice of orality in the training of young musicians. (LS)

This paper examines the relationship between creation and destruction in the creative process. Findings from a study involving 60 actors and 60 criminals/delinquents (ages 10-65) indicate that the 2 populations are similar in their ability to use the creative process but criminals/delinquents do little productive with their ability. (Author/JDD)

Six practicing artists were interviewed about how they overcome creative blocks. Their responses indicated that feelings of self-doubt, fear, and depression accompany blocks but that relaxing and working on new directions and playing ideas off a supportive person helped to overcome such blocks. (DB)

Examines the role of creative expression in educational practices. Briefly outlines the work of educational leaders, including Mihaly Csikszentmihalyi, Howard Gardner, and Robert Sternberg, who are proponents of multi-faceted learning and creativity. Considers strategies for educational approaches that involve more creative invention, problem…

Discusses creativity and its importance to society, providing a rationale for including creativity and problem-solving training in teacher education programs. Reviews the psychological underpinnings of creativity training and provides a suggested creativity course syllabus to foster the creative spirit in teachers. (27 citations.) (HAA)