Suggests that through the shared experience of producing a story, students can understand plot on a deeper level and remember it more vividly than simply having it explained to them. (MS)

Describes how to conduct a collaborative group story-writing session with preschool children and encourage the creativity of the group. (MM)

Many advocates of collaborative writing place too little emphasis on the emotional benefits of feedback to the writer by restricting group feedback to relatively late points in the writing process. Collaboration is as appropriate during the early stages of writing as it is after the completion of a draft. Students can receive feedback from…

Discusses a course on shared-document writing in which students indicate that they value the time allowed to coordinate groups and to understand and complete assignments. Asserts that structuring the course necessitates assigning work relating to a single topic and providing choices, including a voice in group formation and evaluation. (PRA)

Growth into literacy occurs most effectively with the engagement of the learner. The question is therefore: what motivates learners to sustain them through the struggle to attain literacy? In this aspect of literacy education, "lifewriting" can be a most powerful medium. Basic to all of the lifewriting programs described in the text,…

Describes one technical writing teacher's use of group writing projects in which students write and present a marketing report of a product they have invented. Points out that such projects teach students valuable skills in group dynamics, as well as technical writing skills. (ARH)

Discusses collaborative planning as a heuristic for dealing with the rhetorical elements often considered by experienced writers when they plan and prepare documents. Defines collaborative planning, identifies its benefits, discusses its implementation in upper-level business communication courses, and presents a series of examples of students…

Offers a view of writing as a process involving three forms of collaboration: coauthoring, workshopping, and knowledge making. Offers guidelines for designing courses in which writing is consciously, deliberately collaborative in all three of the realms identified. (MG)

Explains how instructors can use a journal assignment to facilitate and monitor student groups without directly participating in them. Shows how students learn how to run groups that succeed. (EL)

Explains how student "companies" can be made more effective by giving them more responsibility for the way the group is run. Claims student companies will be more cohesive, and will provide students with more writing that combines the personal and professional. (MS)