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Sorawit Wiset; Sitthisak Champadaeng – International Journal of Education and Literacy Studies, 2024
The objectives of this research were to study (1) the development of knowledge on the aesthetics of Lam in Ubon Style, and (2) the process of transferring knowledge to inherit the performing arts of Molam Morlam-Ruang-Tor-Klon in Ubon style. Data from documents and fieldwork were analyzed and presented using descriptive analysis. The results…
Descriptors: Epistemology, Aesthetics, Foreign Countries, Theater Arts
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Surasak Hanteerapitak; Akarawat Chaumklang; Suteerapong Pinitpol; Rapeepan Sirisumpan – International Education Studies, 2025
The purpose of this study was to examine the effect of a Learning Activity Package (LAP) incorporating Isan lullaby melodies on the development of basic brass instrument skills among music major students. The study involved two groups of participants: 5 expert scholars in music education and learning management, who evaluated the LAP, and 30…
Descriptors: Musical Instruments, Music Education, Majors (Students), College Students
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Choatchamrat, Sarawut; Phulaiyaw, Akapong; Moonsuwan, Thanyalak; Thotham, Awirut; Chuangprakhon, Sayam; Phimprajun, Rukbancha – Journal of Educational Issues, 2022
The high-class performance style of Isan folk music is to perform as a soloist with techniques, methods, tactics, essence, rhythm, and postures. There are melodious, fun and fully indicate the ability of the performer, composer, and combiner of the music. This research aims to study the pattern of Isan folk as a solo and also creative process.…
Descriptors: Foreign Countries, Undergraduate Students, Music Education, Music