An undergraduate music class was examined that incorporated the creation of students' individual original raps. Research was conducted to understand the value of studying rap and its impact upon students' education. This instrumental case study utilised students' individual raps as an art-based research component to address three research…

The purpose of this qualitative study was to explore how undergraduate music therapy students perceive, describe, and make meaning from their pre-internship clinical experiences. Using a basic qualitative research approach and marrying arts-based methods with reflexive thematic analysis methods, the following research questions guided my…

In this article, we propose a framework for a critical pedagogy of popular music for teacher education to better prepare music teachers to enact anti-racist praxis within their classrooms. Although a growing body of literature in music education addresses issues of racism within the field, fewer scholars have studied this within teacher education.…

In this article I discuss how a focus on migration and transnational mobility of composers and performers can help to overcome exclusionary methodological nationalism in higher music education and foster an increased awareness of artistic citizenship in a global rather than national arena. Reflecting on insights from participatory action research…

This research aimed to explore the situations, problems, and needs of teaching in higher education with the goal of enhancing songwriting skills for children's songs. A survey research method was employed, with data collection through online questionnaires. The sample of this study consisted of 522 participants, including 19 lecturers and 503…

This study aimed to study the effects of implementation of the peer-assisted aesthetic learning model using multimedia to enhance undergraduate students' songwriting skills for children's songs, to assess young children's satisfaction with the composed children's songs, to explore undergraduate students' satisfaction with the model, and to…

The aspiring composer's development is commonly described using the metaphor of finding one's own composer voice. A central goal for teaching composition in higher music education is to guide students toward finding such a voice--toward personal expression and creativity. In order to shed light on the teaching strategies associated with this goal,…

The aim of this article is grounded in an investigation into the efficacy of musical education at the collegiate level through the utilization of artificial intelligence methodologies. It has been determined in this study that the utilization of the NSynth application enables an exploration of the artistic significance of musical compositions; the…

Background: This research aimed at investigating the effectiveness of online digital audio software Logic Pro X and offline audio studios in creating an original folk-style track. The goal was to define the more effective method for the perspective and quality of musical compositions that students create during learning. Objectives: This research…

The realities of modern music education have forced many educators and learners to look for new solutions to ensure a high-quality learning process. One of them is creating and integrating interactive music composition systems. This study aims to assess the impact of Lumanote, as an interactive music composition system, on piano students' skill…

This instrumental case study utilized an ABR component to investigate music composition as a pedagogical tool in higher education. This was achieved through three facets: gaining an understanding of undergraduate students' compositional experiences, students' accounts of the pedagogy's impact upon their learning, and through the educator's…

The purpose of this research was to learn about the short-term residue of composing and improvising activities experienced in a woodwind lab course. Five undergraduates enrolled in a Music Learning and Teaching program in the United States shared what they retained after completion of the course and how they were thinking about composition and…

Few university students in Italy today possess the necessary skills to read a musical score. Consequently, alternative strategies are needed in order to visualize -- and hence to memorise -- music. This is the main reason underpinning the pilot laboratory of musical architecture, which was launched in 2019 as university workshop thanks to the…

In the study being reported here, heads of composition at a selection of music conservatoires (n = 6) in the UK were invited to share their experiences of teaching composition. Arising from the analysis of interview data, three main themes, termed 'pedagogical goals', emerged as important for undergraduate and postgraduate students to progress as…

This study aims to discuss the fundamentals of music copywriting in music education and identify pathways for integrating musical compositions into the learning process without infringing copyright and prohibiting the use of specific music pieces. To achieve this goal, the authors used methods of analysis to identify the available resources in the…