Spain is one of the European countries that attracts the most immigration, and the Valencian and Murcian regions have a large immigrant population. To our knowledge, no studies have analysed the representation of cultural diversity in visual representations of the body and musical practices in their music textbooks. Therefore, the main objective…

Zadok Adolu-Otojoka (b. 1932) is one of the prominent music educators and professional performers in the recent history of arts education in East Africa. A Ugandan by nationality, Adolu-Otojoka has served in different professional capacities as music educator, opera singer, folk musician, dancer, composer, and education/culture administrator, at…

Valuing diversity in education and educational research is at the heart of higher education institutes. This research takes place in Australia, a multicultural society that is still predominantly Western Anglo-Celtic. Through blended modes of delivery, this paper focuses on three tertiary educators collaborative autoethnographic voices sharing how…

The times we live in are described as pluralistic and diverse. In the Nordic countries, societies are often described--even officially--as multicultural. People with different cultural and ethnic backgrounds are expected to coexist and respect each other. Different values are set free from hierarchical conceptual models. Many stories about the…

The purpose of this case study was to examine the perspectives of three Black instrumental music students related to their experiences attending a predominantly white summer music camp for high school students in the United States. Analysed through a conceptual model of culturally responsive teaching in music, data sources included semi-structured…

Through the concept of musical practices, adapted from Wenger's (1998) notion of practice within a community, this paper explores ways in which universities could develop and equalize multiple and diverse musical practices into constellations. Providing future music educators with opportunities to engage and participate in a variety of musical…

Cultural hegemony permeates society and is spread through social institutions. These institutions socialize people into the norms, values and beliefs of the dominant social groups. Moreover, cultural hegemony is spread and perpetuated through education in the form of compulsory education, a national curriculum, national assessments, as well as the…

Over the past several decades, music education scholars have put forth a variety of convincing rationales for world music education. Yet the gap between theory and practice in this area persists. In theoretical ways, practicing music educators acknowledge the value of world music learning experiences, but many remain reluctant to fully embrace and…

In mainland China, the implementation of the junior secondary school's music curriculum is highly dependent on music teachers' attitudes towards music and music education. This study investigated the possible relationship between teachers' attitudes towards teaching Chinese folk music and their music teaching practice in junior secondary schools…