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Vasilije Ivanovic – ProQuest LLC, 2024
We are becoming more and more aware of the marks our human existence is leaving on our global environment: the Anthropocene as discourse of that awareness is turning into a living and lived-in reality. I argue that such discourse cannot remain the purview of the natural and social sciences alone: culture must be recognized in its pivotal role of…
Descriptors: Environmental Education, Science Fiction, Teaching Methods, Ecology
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Mary F. Wright – Voices from the Middle, 2024
This article discusses four exemplary activities to highlight imaginative approaches that encourage critical literacy: building a jackdaw, responding to text through multimodal journaling, engaging in dramatic roleplay, and practicing multi-genre writing. Each activity connects imaginative approaches to critical literacy as learners view the world…
Descriptors: Critical Literacy, Teaching Methods, Creativity, Preservice Teachers
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S. R. Toliver; Keith Miller – English Journal, 2019
When a student in a community-based writing program asked to write science fiction (SF), rather than a personal essay, he prompted the staff to expand the scope of the program's curriculum. This article describes how SF became another avenue for discussing community change. However, instead of just evaluating their worlds and writing about what…
Descriptors: Writing Instruction, Writing (Composition), Writing Assignments, Community Programs
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Levrini, Olivia; Tasquier, Giulia; Branchetti, Laura; Barelli, Eleonora – International Journal of Science Education, 2019
Can science teaching contribute to developing skills for managing uncertainty towards the future and projecting imagination forwards? If so, how? In this paper, we outline an approach to 'teach the future' through science education. In the first part, we describe a framework that has been constructed to orient the design of teaching modules…
Descriptors: Scaffolding (Teaching Technique), Skill Development, Science Education, Climate
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Salverson, Julie – Research in Drama Education, 2008
Theatre is a dangerous witness, challenged with multiple responsibilities of integrity, imagination, inspiration and craft. I explore the relationship between failure, witnessing, and displacement in a class grappling with their own backgrounds, migrations and interrogations of the idea of place and home. We approach performing testimony as an…
Descriptors: Tragedy, Integrity, Ethics, Story Telling