This document summarizes a study attempting to understand the critical skill of creative visioning. In the study, 20 people who were involved in creativity or creative visioning were interviewed for 1.5-4 hours. Seven central themes emerged from the interviews: (1) the meaning of creative visioning; (2) trusting; (3) imagination; (4) connections;…

The 25 strategies described in this book can be used to develop personal creativity, student creativity, and creativity in colleagues and staff members. The strategies are based on investment theory, a psychological theory of creativity, but any one strategy is consistent with many other theories. The investment theory of creativity asserts that…

Eight papers from a 1983 symposium of music educators and psychologists summarize current knowledge and theory in motivation and creativity and apply this research to the teaching and learning of music at all levels. Emphasis is on practical implications for music teachers in day to day instruction. Topics addressed in the papers are: task…

Visual thinking has been neglected with the increasing emphasis on verbal and analytical skills. There is a need to provide balance in curriculum content and instructional evaluation related to visual imagery skills. In order to draw upon students' diverse talents and thinking capacities, educators must honor and respect alternative thinking and…

Defining creativity as a process that draws upon talents, education, skills, thinking and working styles, and inherent intelligence, and pinpointing motivation as the single most important ingredient in the creativity recipe, this book provides dozens of concrete, hands-on exercises and techniques that can help a parent or teacher keep creativity…

Describes the rise of musical notation in the West, showing the relationship between that development and the origin of music literacy in China. Suggests that the balance of oral and literate means of music learning may foster creative expression in performance. Encourages the study and practice of orality in the training of young musicians. (LS)

Arguing that creativity in doctoral research has been underemphasized, this article offers five principles drawn from theoretical and research literature for advisors cultivating creative dissertation work and examines each principle from three contextual perspectives: individual psychology, theoretical-methodological, and institutional. (PB)

This book illustrates why and how movements and dance are powerful tools for learning and creativity in K-6 classrooms. Designed to be a workshop on paper, the book helps teachers build on what they already know about movement and implement techniques that tap into children's natural interest in moving. Chapter 1,"Moving To Learn," explains the…

Describes a creative project for anatomy and physiology students in which students make a collage of the integumentary system. Includes guidelines that address the collage's size, composition, content, clarification, and grading. (MDH)

Asserts that the difference between average marching band performance and the truly memorable performances is a result of creative charting. Discusses four stages of creative thought that can be applied to marching band strategy: (1) preparation; (2) incubation; (3) illumination; and (4) verification. (CFR)

Maintains that jazz is the improvised variation of a melody based on a previously established harmonic and rhythmic framework. Provides teaching suggestions for introducing jazz to school bands and encouraging improvisational playing. Asserts that helping students play jazz is not easy, but it will develop creativity and confidence. (CFR)

This book describes an art program that combines the knowledge, imagination, and evaluative factors of creativity for a productive pattern of student growth in perception, thinking, valuing, and art skills. Over 200 basic concepts have been arranged in logical, developmental order to give students a valuable body of knowledge. Instruction focuses…