Discusses the use of technology in music and music education for teachers. Describes resources that are available presently and how they may be used for performing, composing, research, and administration. Addresses areas where a gap exists between what is or should be available and the technology actually being used in classrooms. (DK)

Describes musical instrument digital interface (MIDI), a communication system that uses digital data to enable MIDI-equipped instruments to communicate with each other. Includes discussion of music editors, sequencers, compositional software, and commonly used computers. Suggests uses for the technology for students and teachers. Urges further…

Discusses the selection of material for vocal performances by high school students. Describes adolescent voices as young with little vocal technique and only partially developed or unused register. Includes considerations of breath management, tessitura, energy, subject matter, and language. Provides a list of songs meeting appropriate…

Recommends commissioning new works as a challenging and motivating learning experience for high school and college bands. Includes several guidelines for negotiating costs and performance rights with the composer, as well as other technical details. Discusses specific problems arising from this arrangement and possible solutions. (MJP)

This paper describes how the musical dice game can be used with beginning, intermediate, or advanced students. In the musical dice game, the student composes six separate musical compositions of five measures each. Each measure of the musical compositions is written on a separate, numbered card. The performance of each measure is determined by…

An upper division college-level course dealing with women composers for both music majors and nonmusic majors is outlined. The course provides an historical and analytical survey of western music through works composed by women, with emphasis on the 19th and 20th centuries. Students listen to music, participate in class discussions, and listen to…

Describes activities and exercises that develop children's music appreciation and general listening skills, preparing them for composing original lyrics and music. (RL)

The author, an associate professor of music education at Pennsylvania State University and some undergraduate music education students explored possible uses of the synthesizer as they attempted to provide experiences in electronic music for a class of fifth grade students. Their program consisted of five lessons in the elements of music which are…

Music motivator projects that enable the elementary teacher to use social science methods (known as ethnomethodology) to observe and learn about students without testing are described. Working in groups and guiding each other, students compose a musical composition and then notate it. Discovery learning is encouraged. (RM)

Article described a program with the goal of developing a creative music curriculum that would interest and challenge sixth-graders. Students were motivated to write the lyrics and music for their own songs. (Author/RK)

Total conducting ability involves technique, mechanics, insight into elements of expression, and musical sensitivity. Presented are eight basic principles which combine musicianship and conducting. (KC)

Examines music creativity from a cross-cultural perspective. Delineates the difference between creativity and re-creativity giving cultural examples of each. Discusses the differences between composition and improvisation and analyzes the language of musical expression. Describes the cultural traditions of musical creativity in India, China, Iran,…

Presents a collection of teachers' ideas on instruction for musical improvisation. Includes suggestions for ascending grade levels, spontaneous composition, and creation of sound maps. Recommends making technique training fun and creative through improvisation. Suggests that children be taught to think in sounds and to experiment with variations.…

Focuses on the relationship of music composition with specific learning styles. Emphasizes the development of a research model in which music composition was viewed as involving intuitive and rational musical abilities. Uses two learning-style inventories and a researcher-designed test of musical composition ability. (DB)

This curriculum unit introduces intermediate grade and middle school students to the work of Stephen Sondheim, one of the most talented composers of the contemporary American musical theater, and teaches them about the process of writing an original musical. The unit notes that in his musical "Into the Woods" Sondheim incorporates (and…