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| Practitioners | 27 |
| Teachers | 19 |
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Peer reviewedMurray, Donald M. – College English, 1984
Argues that the possibility for surprise is the starting point for both effective writers and teachers and describes six elements that help create surprise: expectation, habit, ease, recognition, "pounceability," and acceptance. (MM)
Descriptors: Association (Psychology), Creativity, Emotional Response, Higher Education
Murrow, Casey – Today's Education: Social Studies Edition, 1980
Suggestions are provided for including writing from personal experience as a part of the school's curriculum. The philosophy is that experience in the real world provides motivation for writing. (KC)
Descriptors: Creativity, Curriculum Development, Elementary Education, Student Experience
Willings, David – Gifted Education International, 1987
The article identifies five modes of thinking--defensive, productive, adaptive, elaborative, and developmental. Case studies of artistic, creative writing illustrate the modes. A writing program designed to identify and develop these thinking modes is described. (Author/DB)
Descriptors: Cognitive Processes, Creative Writing, Creativity, Elementary Secondary Education
Peer reviewedBlack, Sharon – Gifted Child Today Magazine, 1994
Examples and ideas are given for stimulating creative writing in gifted children, using children's literature as a model, a stimulus, a motivational device, and a source of factual information. (DB)
Descriptors: Childrens Literature, Classroom Techniques, Creative Writing, Creativity
Sweeney, John – 1986
The development of the advertising writer is really the development of an artist, an artistic process governed by the same exasperating lack of rules. It is above all an internal journey that each student must make to discover his or her own distinctive voice. Frequent assignments will eventually give rise to frequent moments of insight, charm,…
Descriptors: Advertising, Classroom Environment, Creative Writing, Creativity
Olson, Mary Ann, Ed.; Baer, Teddi, Ed. – The Idea Factory, 1984
Intended for writing teachers, the activities in this issue blend right/left brain lessons--kinesthetic, spatial, and playful--to provide students with prewriting experience. The activities include the following: (1) creativity olympics, such as finding criteria by which large groups of students may subdivide themselves into successively smaller…
Descriptors: Creativity, Junior High Schools, Learning Activities, Middle Schools
Peer reviewedJampole, Ellen S.; And Others – Journal of Creative Behavior, 1994
This study evaluated the use of guided imagery practice to enhance creative writing with 43 academically gifted students (stratified as either high or low creativity) in grades 3 and 4. Groups receiving the guided imagery practice (regardless of original creativity level) generated more original writing, which contained more sensory descriptions…
Descriptors: Academically Gifted, Creative Writing, Creativity, Elementary Education
Shewach, Dawn L. – Gifted Child Today (GCT), 1991
The Scenario Writing component of the Future Problem Solving Program calls for students to write a short-short story exploring variables in the future. This article describes the scenario writing process, presents samples of award-winning scenarios, and offers tips for student-authors and for coaches. (JDD)
Descriptors: Creative Writing, Creativity, Elementary Secondary Education, Futures (of Society)
Feldman, Paula R. – Perspectives in Computing: Applications in the Academic and Scientific Community, 1984
The advantages of using word processing in a business writing course are identified as making students feel more comfortable with writing, enhancing creativity, and making revision easier. The need for an initial large investment of time by instructors before initiating word processing use is discussed. (MBR)
Descriptors: Business English, Course Content, Creativity, Higher Education
Kimbro, Michelle – 2003
Description can make a piece of writing come alive. This lesson plan combines art and word play, emphasizing writing for an audience while drawing on multiple intelligences. Peer review and feedback reinforces the revision process as students create trading cards by drawing pictures of monsters and describing and categorizing them in detail.…
Descriptors: Audience Awareness, Creativity, Editing, Educational Objectives
Peer reviewedTway, Eileen – Language Arts, 1980
Recommends that teachers look for and value the freshness, naivete, humor, and wisdom in children's writing. Samples of children's writing are provided to illustrate these traits. (AEA)
Descriptors: Creative Writing, Creativity, Descriptive Writing, Elementary Education
Mondavio, Anna; And Others – Francais dans le Monde, 1990
Four classroom activities are described: (1) one for stimulating beginning students' interest in finding evidence of French language and culture in their own environment; (2) a card game for learning grammar; (3) a letter-writing exercise; and (4) a game using lipograms in the creation of a fictional community. (MSE)
Descriptors: Class Activities, Creativity, French, Games
Peer reviewedDowling, H. F., Jr. – College Composition and Communication, 1985
Describes the emphasis on creativity in expository writing in a college composition class. Outlines four traits of creativity promoted and encouraged in student nonfiction writing and writing assignments for that purpose. Includes samples of students' creative nonfiction. (HTH)
Descriptors: College English, Creativity, Expository Writing, Higher Education
Rebbeck, Barbara J. – Gifted Child Today (GCT), 1989
This article describes one poet/teacher's program to explore and cultivate student creativity, intuition, and imagination through a series of visual, verbal, and psychological exercises. Visualization, free-writing, association, variations on other poets' work, and memory mapping are among the creativity exercises employed prior to actual writing…
Descriptors: Creative Development, Creative Writing, Creativity, Elementary Secondary Education
McQueen, David – 1983
Imaging, or disciplined daydreaming, can be used in the composition class to expose students to their innate creativity, lessen writing anxiety, refresh memories before writing of personal experiences, and make impersonal subjects, such as historical events, vital and personal. Teachers can construct a classroom imaging session (which takes about…
Descriptors: Creative Thinking, Creativity, Elementary Secondary Education, Heuristics
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