The Poudre School District (Colorado) offers instrumental music to students beginning the summer before seventh grade. Throughout junior high school and high school, emphasis is on ensemble work and on performances. The program provides all students with an opportunity to participate at their levels of interest. (CS)

Music educators elected to offices in the state organization in charge of the West Virginia student chapters of the Music Educators National Conference describe their organization's objectives and strategies. (RM)

Describes how to organize a successful college jazz festival. The author discusses how to find funding, the importance of getting good musical clinicians and star attractions, and the use of media to promote the festival. (AM)

A very successful artist-in-education program in which jazz musicians introduced elementary students in Augusta (Georgia) to jazz music is described. Students were involved in many activities, including instrumental improvisation, singing, reading staff notation, choreography, and composing jazz. (RM)

The San Francisco Opera Guild sponsors the Operatunities Program which introduces elementary and secondary students in California to opera. For example, each year the Scholar Opera visits 130 schools from San Francisco to San Jose, exposing approximately 50,000 youngsters to the music and drama of opera. (RM)

How the Wichita (Kansas) Public Schools and the Wichita Symphony developed a young people's concert format that is educationally, musically, and logistically sound is described. A spirit of cooperation and interdependence between private and public art organizations is necessary to foster student interest in the arts. (RM)

Ideas to help music teachers get ready for Music In Our Schools Month, March, 1986, are suggested. (RM)

This article describes Kent State University School of Music's data base, Choralist, which provides computer-based retrieval of choral music selections by composer, style, historical period, subject matter, vocal groupings, and/or difficulty level. File construction is outlined and data entry forms, printout, and user evaluation questionnaire…

The author explains how music broadcasters codify musical selections by mood, tempo, and instrumentation, then arrange a sequence designed to maintain audience interest with a variety of listening experiences. Similar techniques are suggested for planning school concerts. (SJL)

Contends that strengthening the relationship between university departments or schools of music and K-12 music programs will improve music programs at all levels. Discusses the goals and structure of the Partnership in Musical Excellence program that has linked the School of Music at Ohio State University and several Ohio school systems. (DB)

The Open City project of East Harlem in New York City, an early childhood, reading-through-the-arts program reflects ten years of arts in general education theory building. Describes this program and how it has developed the reading ability of young children. (Author/RK)

Describes an individualized music reading program for middle school teachers. (Editor/RK)

This article suggests that teachers make use of the special student performances offered by many city opera companies. It discusses advantages and disadvantages of these programs and what the teacher might expect of them. The educational programs of 22 American opera companies are described. Part of a theme issue on opera. (SJL)

In Anchorage, Alaska, classroom teachers are supported in their music teaching by resource teachers who provide in-service, regular demonstration lessons, and locally developed materials. This article describes the program's schedule, costs, and staffing, as well as the role of the music resource teacher. (SJL)

Offered are solid and numerous suggestions for restructuring the student teaching experience--the roles of the student teacher, the college supervisor, the classroom teacher--in order for the new teacher to enter the field with confidence, knowledge, and skill. (KC)