The author explains how music broadcasters codify musical selections by mood, tempo, and instrumentation, then arrange a sequence designed to maintain audience interest with a variety of listening experiences. Similar techniques are suggested for planning school concerts. (SJL)

The Paula Program in music for gifted girls in middle schools, developed by St. Mary's College, Notre Dame, Indiana, is described. How the program was designed is discussed and activities and materials selected for classroom use are briefly described. (RM)

The author suggests that the cooperating music teacher prepare the student teaching experience as a formal class, presenting the student teacher with a written syllabus and assignments. He discusses timing and procedures for the consecutive phases of the student teaching term: orientation, observation, practice lessons, and, finally, teaching…

Offered are solid and numerous suggestions for restructuring the student teaching experience--the roles of the student teacher, the college supervisor, the classroom teacher--in order for the new teacher to enter the field with confidence, knowledge, and skill. (KC)