This essay claims that contemplative classroom practices can cultivate "kairotic" composure, which is an attunement to the dual aspects of the rhetorical concept of "Kairos"--a sense of timelessness or deep presence, and a sense for saying or writing the right word in the right moment. While theorists of contemplative writing…

This article examines Donald M. Murray's ideas about what he considered the essential solitude of all writing and what happens within that solitude. Murray, a pioneer of the process and modern expressivism movements in composition, identified a number of forces that he felt were at work within his mind whenever he wrote; this complicated aloneness…

Design is a rhetorical activity that requires creative thinking in response to difficult situations. That creative work ultimately builds new relationships and new contexts. Sustainable design can become an approach to composition that alters ways of thinking about writing situations, keeping ethical and contextual factors in focus, and…

Walter Ong tells us that the noetic--the rhetorical characteristics of feeling, sensation, and intuition applied to a given communicative situation or act--stems from the oral tradition. The noetic contrasts with the print legacy of argument in which "teaching something is the same as 'proving' it'" ("Ramus" 156). Ong's sense…

Contrastive rhetoric studies the writing of second language learners to understand how it is affected by their first language and culture. The field of contrastive rhetoric is as multidimensional as second language writing is complex. It draws on the work of contrastive analysis, anthropology, linguistics, pedagogy, culture studies, translation…

Since Fall 2004, the Undergraduate Catalog at the University of Tennessee-Knoxville has listed a two-part "Communicating through Writing" (WC) requirement, which includes two first-year composition courses and an upper-division course in one of thirty-five majors. Most students fulfill the former by enrolling in English 101 and 102, a…

In this interview Susan Jarratt reviews the trajectory of her scholarship and revisits some of the lessons learned from a variety of her projects while simultaneously drawing out historical and narrative continuities of seemingly disparate time periods and contexts. In doing so, she elucidates the value of scholarship as a political and…

Describes an outreach writing class taught to people who have been diagnosed with multiple sclerosis and, in that context, explores the art of therapeutic rhetoric. (TB)

Proposes that writing teachers are in need of a set of principles that would be useful in the teaching of argument or persuasive writing. Argues that behind the pedagogy of most existing approaches to argument lies a set of assumptions concerning audience, authorial intention, and evaluation that are ultimately damaging to the writing enterprise.…

Presents 17 syllabi, submitted by different instructors, for introductory courses taught to graduate students in the teaching of rhetoric and composition. Contains critical statements attached to each syllabi explaining the goals and approaches of the course. (TB)

Suggests that through Kenneth Burke, writing teachers can approach writing as something to be feared, something to approach with trembling and mortification. Examines Burke's notion of how language "goads" writers to eliminate the response of others. Examines contemporary and Burkean approaches to writing that would help students to…

Discusses the concept of rhetorical sovereignty as the inherent right and ability of peoples to determine their own communicative needs and desires. Claims rhetorical sovereignty requires writing teachers to rethink how and what they teach as the written word at all levels of schooling. Sketches out some preliminary notes toward the praxis that is…

Heeding the call of noted rhetoric scholar Richard E. Young to engage in serious, scholarly investigations of the assumptions that underlie established practices and habits about writing, the contributors to this critical volume study a diverse array of disciplinary issues, situate their work in a wide matrix of theoretical perspectives, and…

Compares two advertising assignments to demonstrate how different approaches to audience radically affect students' critical understanding of popular media texts. Argues that "audience" needs to be present in writing assignments as a cultural experience rather than a merely static rhetorical category. (TB)

Takes issue with the assumed antithesis of processes of the irrational (imagination and creativity) and those of the rational (reasoning and argumentation). Argues that numerous philosophers suggest richer ways of imagining the processes of argumentation. Explores various classroom practices that enable teachers to weave the creative and critical…