Collectively, the sixteen chapters in this book investigate the power of creativity in the classroom, many through the specific lens of limited resources as an opportunity. The chapters are divided into two sections, eight chapters comprising "Section I: Theory and Research" and then the eight chapters comprising "Section II:…

Promote your students' creativity and get them excited about learning! In the second edition of this popular, practical book, authors Denise Krebs and Gallit Zvi show you how to implement Genius Hour, a time when students can develop their own inquiry-based projects around their passions and take ownership of their work. Brought to you by…

What motivates human creativity? Sometimes creativity emerges because people need to solve a problem or communicate an idea. The desire for novel amusement or complex entertainment also inspires creative thought. Environmental factors are also influential in motivating a student's creativity. An instructor's personal enthusiasm for the…

Background/Context: There is a strong sense in education that creativity should be nurtured in classroom settings, yet there is little understanding of how effective and creative teachers function (Cropley, 2003; Robinson, 2011; Sawyer, 2011). Existing research has recognized that successful/creative people in any discipline use creative…

Creativity in primary science is even more important now than when it was first raised with the publication of the report "All our futures: creativity, culture and education." Creativity needs to involve both the teacher and the children. Exciting, creative and practical opportunities provided by the teacher will increase children's motivation and…

In this article, the author describes ten of his favorite tools and explains how they can be employed in various ways: (1) to manage the classroom better; (2) to jump into fun activities with little or no preparation; or (3) to promote student-created art and materials. All of these teaching tools are affordable--even cheap. In the event that some…

New categories of leadership are continually being invented. Because the ways we think are productive of the ways in which we act, it is important to hold these rhetorical innovations to account. This paper focuses on the latest of these categories--creative leadership. Mobilising a Foucauldian notion of "discourse" I deconstruct the…

This article describes the work of artists taking part in Creative Partnerships programmes and seeks to identify the ways in which they were able to motivate students, some of whom had anti-learning dispositions. These creative practitioners approached their task in a number of different ways from the teachers whose classes they shared. They…

With an increasing emphasis on creativity and innovation in the twenty-first century, teachers need to be creative professionals just as students must learn to be creative. And yet, schools are institutions with many important structures and guidelines that teachers must follow. Effective creative teaching strikes a delicate balance between…

The hypothesis that the more creative teachers would have a teaching style which favors creativity and would be more humanistic in their pupil control orientation in comparison to low creative teachers was tested with 60 secondary-level teacher educators from India. (Author)

Presents suggestions for making reading instruction exciting and creative both for students and teachers. Describes the creative reading environment, ways the teacher may foster creativity as a result of reading, and ideas for developing creativity based on reading. Lists 20 creative reading activities. (MG)

This digest paper presents strategies and activities that can be used to encourage gifted students to develop their individual talents in the language arts. Suggestions for exploring poetic language especially free verse, include ideas for creating group poems and catalysts for creating individual poems. Suggestions for exploring the elements of…

This book is designed to help teachers link research and theory regarding creativity to the everyday activities of classroom teaching, providing enough theory and enough examples of applications to enable teachers to convert what they learn to their everyday grouping arrangements, lesson plans, assessment activities, and grading schemes. The book…

This section of the TESOL convention volume challenges basic assumptions which are held by language teachers and researchers while at the same time providing other assumptions for professionals to challenge. The following papers are presented: (1) My View of "Teaching Languages: A Way and Ways," by E. Stevick; (2) "'I Got…

This book offers an "organic" approach to teaching based on the recognition of the opposing human forces of destructiveness and creativity. The experience of teaching in a Maori school in New Zealand for 24 years provides the background of this personal story. With much of the content presented in anecdotal fashion, the quality and…