Background: As the global landscape of education evolves with digital advancements, the feasibility of integrating digital music skills into primary school curricula has become a subject of exploration, South Africa is no exception. Aim: This study aims to conduct a content analysis of the existing scholarly writings to assess the feasibility of…

This systematic literature review seeks to examine the pedagogical practices, professional relationships, and curricular development that impact teachers' and students' experiences in the postsecondary music education field as well as the theoretical frameworks and methodological design guiding the inquiry of included studies. A literature search…

Transfer of learning is considered to be a fundamental goal of education, yet it is often assumed or left to chance on the part of the learner. This paradox points to the renewed investment in creating purposeful learning opportunities for students and preparing teachers who are equipped to translate their knowledge, skills, and dispositions into…

Examines the events between November 1837 and August 1838 which led to the acceptance and support of curricular music in the Boston (Massachusetts) public schools, and ultimately, the rest of the country. Recognizes the efforts of Lowell Mason and Joseph Harrington to establish music programs as part of the school curriculum. (GEA)

Focuses on the types of research needed in general music education and the reasons for this research. Defines the place of general music in the curriculum, and examines influential constituencies for such education. Analyzes the state of general music in the schools, and assesses needed changes in the curriculum. (RW)

Music educators for too long have relied upon "aesthetic education" as the sole rationale for including music in the overall curriculum. Music education is really about music making; it is a social process that is of value because it helps students learn about discipline, attachment to social groups, and autonomy. Music educators must provide…

Recommends that high school social studies teachers exploit student interest in contemporary musicians to teach techniques of biographical construction. Maintains that innovative classroom practices involving non-traditional subject matter can foster intellectual growth and historical understanding. (Author/DB)

A state-of-the-art report on music education in elementary schools. (CM)

Describes multicultural education and its relevance to music education and the music education curriculum. Reviews various theories related to multicultural education and concepts of global education and cultural diversity. Recommends caution about translating multicultural rhetoric into curriculum reality. (CFR)

Teaching critical thinking is difficult in elementary music instruction because of the limited time devoted to music; yet it must be considered a vital part of music instruction, as students must not only become knowledgeable about music, but should also learn to think intelligently about music. Recommendations for the content of elementary music…

Explores the use of computers in design-oriented learning and the need to reconstruct curriculum to accommodate the new technology. Mathematics, psychology, and music are highlighted, a musical computer design environment called Streamer is described, and implications of a design-oriented computer environment for programming and the structure of…

Describes recent efforts to combat the downward spiral of music programs in American schools. Increasing enrollments in arts education coupled with financial downsizing have spurred music educators and concerned constituents to fight for inclusion of fine arts programs in school curricula. (LMI)

Outlines the work of psychologist Howard Gardner, who isolated and identified seven basic, autonomous intelligences. Discusses the ideas presented at a 1989 South Carolina conference that probed the implications of Gardner's theory of multiple intelligences for the arts and for education. Contends that the theory of multiple intelligences…

Uses E. D. Hirsch's concepts of art, culture, and multiculturalism to rethink the philosophy and practice of arts education. Analyzes culture and multiculturalism and suggests that music education be conceived in multicultural terms. Disputing Hirsch's cultural uniformity, maintains that music educators should preserve the integrity of music…

Examines how new theories about the mind and brain affect music education. Specifically considers the nature of the musical mind and the nature of music. Discusses the work of Robert Ornstein, D. Alan Allport, Howard Gardner, and David Loye. Recommends that music educators, at all levels, incorporate these perspectives into their teaching. (KM)